‘This is Herbert Soppet all over – he couldn’t even get us married right!’
J B Priestly’s ‘When We Are Married’ might seem a strange
choice for an Amateur Dramatics company to perform; a comedy in three acts set
in the small Northern town of Clecklewycke. However this production marks the
end of the Criterion’s fiftieth anniversary year, and mirrors the first
production ever performed there, now over a half-century ago. Using the play as
an anniversary celebration is particularly fitting since the action of the
production centres around 3 couples, each celebrating 25 years of marriage. That
is, until they find out that the pastor who ‘married’ them was not officially
ordained, making their marriage vows effectively null and void.
The play is a comedy from start to end and this company
fantastically exploited this. The set was brilliant, forming the front room of
Alderman and Mrs Helliwell’s where all the action takes place. The room was cut
in half diagonally, with the corner falling down-stage centre to make the
audience feel incredibly involved, as if the seating formed the other half of
the room. This couldn’t help but contribute to the sense of engagement coming from
the stalls as events unfolded onstage. There were ‘oohs’ let out spontaneously
as characters were slapped across the face and ‘ahhs’ as cast members came to
the end of tuneful renditions of stage show classics.
Looking round the audience at almost any point in the play I
could see only smiles; no yawning, watch-checking or blank expressions proving
that the actors were doing a fantastic job.
Priestley’s witty one-liners were delivered with perfect
comic timing and expression and the period costumes and attention to detail of
the set designers made you feel like you really were back in the 40s.
But despite the slapstick humour generated by a drunkard
photographer and the witty lines, Priestley’s subtle comments on contemporary
life also shone through. The role of women in society and philosophical
questions of marriage were carefully disguised as entertainment by cast members
whilst still causing audience reflection throughout the two intervals and after
the show had finished.
The group musical number to finish had the (ever so
slightly) older members of the audience singing along and brought a beautiful
close to a wonderful show. ‘When We Are Married’ fully deserved the full house
it received.
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